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Reflections / Reflections Bolshoi 1.29 2011




Если день был задуман хорошо, то надо приложить максимум усилий, чтобы он состоялся. Накануне поздно ночью разведка донесла, что Николай Цискаридзе танцует неафишную утреннюю целевую розовую "Шопениану" и в этой as "Les Sylphides" was even announced Angelina Vorontsov. I had her go, but ... unfortunately changed Vorontsova - not because they fell out of love, but because they overslept. :-( And in the end nothing else left as a punishment to go in the evening at another world premiere of "Reflections". Frankly, I went to work as - Damn LJ introduced me to some obyazalovke go to these premieres at the theater. Because before, when I did not have facebook, I'll make any premiere did not go: never was on the "Magic Flute" and "Madama Butterfly", but did not manage to watch "Le Corsaire, stopped going to school issues. T e was a free and independent person. And now as I broke through and here is the result - barely came up with a headache and a temperature of 35.5. No, we must pull together and become once again a free man. :-)

Korotenechko that saw one truth and only truth. The hall was polnehonek. The first part was presented ballet Nacho Duato, and stupidly named, as the project itself, - "Remansos" / "Remansos. What it is, I do not know. Actually shocked registration performed by the author Running time: lay on the floor badly strained, full of hills, zaplevany black linoleum on the sides of the black curtain, behind a black backdrop, a backdrop in the center white square. Everything. Men and women were dressed in identical suits, if you can so elegantly put it, and if you can call it T-shirt with shorts. Until I went into the lobby to read the program from, to find out who Who , women somewhere evaporated. Left three men. And as I understand, the entire ballet is based on absolutely wonderful idea - if the three men, they together well, and no women they do not need. The case evolved around some fake roses, which they constantly passed each other. And m to view the contemporary ballet requires a cerebral diligence and perturbation of thoughts in my head, I tried to stir them and this is what the thought of - a rose in this case symbolizes the glass, n h, then three men, and that three of them do except how to drink ...:-) And even if we remember who made this "Bolshoi Ballet" (pravilno!), then other interpretations simply can not be. :-) But director would like to chide, n h bravery in Duato still not enough - a glass, sandwiched between caviar and thigh, would look far better than the rose, and the transfer of cup against a white square would be more accurate and correct. Practically, I think, in this sense, the ballet is not completed. But everything else - yes - fine. And, incidentally, like any other modern choreography creates a variety of different thoughts in the minds of the audience, for example, ladies who stood in line at the toilet seemed to that these homosexual men and the Rose is supposedly some kind of character in their gomosyachey life. They are so vividly discussed that I was almost fell in the queue for them to listen to what there they have it all ended in the interpretation of the ladies. :-)

Before the second part of the concert, I was still vigorous and full of energy, although I understand that divertissement of modern dance is about the same as the 2 nd round of the International Ballet Competition in Moscow. And it's always, say, the Lord's punishment. And so it happened.

Polina Simeonova in silk pajamas with no claims danced the room with the pretentious name "Strauss meets Verdi." Looks like they met at nightfall and were also not very sober. Once again, convinced that the ballet can not interpret the operatic music. It becomes beautiful from the senseless antics on an empty stage

Following for pajamas appeared Noodles pasta , - Prima, God forgive me, San Francisco Ballet Maria Kochetkova, dressed in polupachku, almost pink. She otkamarila number called "One overture." Constantly went backstage and everything started to enjoy it was all over, but she came out again. :-) Trick of all - in fact it was written an overture, and Kochetkova them about five performed, Canon, ponimash in unison :-)

's turn "Serenade", about which I knew everything. I knew it was going to be tough and I knew that it would vigorously, and I knew it would be sooo pretty. So it was. Number of mad woman, which is in constant conflict with his guy. This is certainly a very vital and very truthful. Here our examples Natalia Osipova and play did not need anything. She lived for this role along with a forum baletfrends devout and rebellious, and for some reason Pts did not want to go 2 nd bow, while Hall was raging. Can showdown with partners to continue behind the scenes ...

completely about the same, but with another even more funny name "Fractus" acted Honored Artist of North Ossetia-Alania Catherine Krysanova. The only thing different numbers - in Fraktuse constantly putting out light. In fact, properly done, n h by this time was sick to look at another poloreshnuyu, which under the boom-boom music come on to your partner Denis Savin, massacred his claws and sculpts-create-malyuet

Dear comrades, I can not write the names of rooms - they excite me. :-) Do not look - I can not write I can not. For example, Anastasia Stashkevich the song "From the Book of Harmony" ... Well, not raskudrit your left ... I snorted so harmoniously on this issue, and naturally nothing about dancing Stashkevich can not tell. :-)

Next by name is easier - "Daisy" in English Catherine Shipulina. And EBNM only in the locker room to learn that solo the piano Laban State Prize winner Denis Matsuev. Guess that it waited so long and therefore did not include the light, and when included, the number did not start too long and Shipulina and stood in a pose at the ready (although it may be because the author intended :-)) in a silk nightie. She stood, and I do not know who is behind the piano, sat down again to rest (for this time I have a headache finally) and I saw nothing at all. :-)

Well, the last. Suddenly everything is remembered that concert type of ballet and breakpoints, only a banal name-Pas de trois in the choreography - I'm here, I'm sorry, I will quote Comrade. Shmondareva - timeless © and with the support of the Renova. Women in bundles - Noodles pasta and some Malinowska, do not even know what to say about it, but I think it profneprigodnaya ; a man puffing Ivan Vasiliev. And with that something must be done urgently. Dances, he dances , but the fact that he grew back and thighs, no black tights no longer saves. To dance to carp not, n h was done perfectly. But you can not watch, n h nature-bitch out what has done ...

And forgive me for Christ's sake those who read my LJ, on the leather pack, sitting on chairs, the forces left. Well, I could not. Moreover, long enough was in doubt - well, just come, it is necessary ... None. Dressed and to freedom. And giving of honor - More on all this crap with a standing ovation and 12-thousand poseteley in the American countryside or leg. And if anyone finished watching until the end, on its part to express sincere admiration. There are people in Russia who are ready for the idea of sitting at the Bolshoi Theatre on the project "Reflections".

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BSO Concert them. Tchaikovsky Conductor - Vl.Fedoseev, soloist - Krassimira Stoyanova MIHM 24.01.2011

How well do sometimes take a break from ballet, moreover Walker such as I, and with such a full of choreography January. One is bad, well, halfway into Domodedovo Moscow International House thundered in ... Worst of all, to such things already beginning to get used to ... (((If this is our C'EST LA VIE, then I will not discuss the event, an eyewitness who was not, and tell you about the concert, which was.

Krassimira Stoyanova I waited Msc in a long time (well, and several other people were waiting for :-)). All other music lovers are turned to nothing - in the hall were not many people. A pity. P h show different faces uncommon look of , at least performed works.
In the 1-m branch of Tchaikovsky's Symphony Orchestra directed by Vladimir Fedoseev performed 4 pieces separately (I, IV, V, VII) Suites for Chamber Orchestra "Classic and Romantic" (Classical and Romantic), Bulgarian composer Pancho Haralanova Vladigerov. The audience, consisting mostly from grandparents, trying to thank the musicians after each of the sparse applause sluggish, but at the end of the room briskly and long ovatsiroval Orchestra and conductor. And it was for nothing.

concert continued Krassimira Stoyanova. There was a whole from a well-dressed, with a red tippets over his shoulder, with provisions for all, respecting a diva, with diamonds and with a voice, an analog which is not so easy to find. I must say that despite the interesting program - Dvorak, Tchaikovsky - It was written quite sparingly and briefly, in principle, and it is good - n hour long program is to make our audience may not :-). Since 9 o'clock start wobbling the hall and some scuffling, and after each subsequent works outgoing begin to raise the entire series, and his whole appearance Hall makes clear the artist - no more, rounded. So, in our case it was not, probably because the concert even with bisom that hollowed out long enough time has ended twenty to nine - EM until the X was still some time. :-)
In the first part of the evening Stoyanova limited by 2 pieces: one of them known to everyone Pts and beautiful aria Mermaid Měsíčku na nebi hlubokém , the second little-known, but also a beautiful aria from the opera Desislava Parashkeva Hadjiev "Maria Desislava". I am very Like the song of Krasimir Stoyanov. I find her voice close to the perfect lyric soprano. On the opera stage, a graduate of Moscow Conservatory violin made its debut 15 years ago and I must say her career was quite successful and authentic her magnificent voice: she Kammersängerin, and sings in all the best opera houses, and doing it without any melteshni and excessive noise, but every self-respecting fan knows the name of the opera and evaluates vocals Stoyanova appreciated.

In the 2-m branch orchestra brilliantly played fantasy-overture "Romeo and Juliet" by Tchaikovsky. All the recent concerts, where I was and when singers are accompanied by no means the best orchestras, makes me feel depressed in this situation accompaniment for Stoyanova was in full compliance her unique voice. Well, just for the music is all well and nothing to complain about. In Msk is rarely heard and, again, my regret at the lack of interest capital of our motherland to such a very high quality concerts.
culmination of the evening - Tatiana's Letter and its fulfillment was outstanding. For the first time for many years, this cult fragment ( and actually have the procedure and the teeth on podnadoevshy nauseam in English. our singers :-) ) seemed so short - Did not have time to look back as it was over. Why I thought this performance by today's absolutely incredible. P h on today practically impossible to find a singer who can sing clean, uncomplicated girl's voice. After Tatiana sing all those who either lazy thick, oily and recessed votes. Now the fashion on a solid sound to music with the eggs "and" Eugene Onegin "has been exposed to this ranking ( allegedly Tatyana such virgins, her only for sex and no longer to what ), almost soprano dramas strive otvulgalizirovat this music, and even drive it became fashionable to give away (about a pure physical passion with crawling on tables, etc. I say nothing) So Stoyanova - not Russian singer - has shown how it is sung and the sound and the meaning and beauty. She sang the soul of a young girl, and not about her body that does not know where to accommodate the night looking. That is surely a sad silent silent , but is full of such inner beauty and charm of a psychic and tenderness that just wanted to just listen to Onegin, but only AMP-hundred, let Krasimir Stoyanov. And no Mitya Chernyakov not need to explain what happened to her. Ourselves to deal when he heard this bewitching voice, the voice, which obyasnyalki paunchy and bald do not need - he will tell all.













For those interested in good voice and in particular Krasimir Stoyanov - she is going to come in November, along with the chorus and orchestra Milan Rocks. THEOREM these tours in honor of the Bolshoi Theater has become more exciting and real.

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«Giselle" Large Theatre 22.01.2011

at "Giselle" I do not go in principle, but sometimes principles can do. And all because of what the (sunk :-))? Due to the fact that 2 rival dance 2 jeep. I wanted to enjoy a short-range battle: almost identically dressed girls danced almost the same choreographic text. But before that the text had to survive it was necessary, n h, the Bolshoi Theater with his love to act ballets sewn to "Giselle" Class Concert, which I have never seen before, m e is not witnessed, when Natasha and Ivan ... well, and so on ..:-) Today was no And Natasha Vani, and with the attic, but with Antonicheva. Tell nothing will - all of galloping, fluttered, children with sticks Batman beat four girls perfectly simultaneously managed to jump up at quite slender tutti orchestra, dressed in a prima hairstyles a la 50-60 with slanting bangs and Babylon, and etc. .. It was cute, but now with a Taldy with "Giselle"? Well, even when in St. Petersburg was the fashion to let "Les Sylphides" with "La Sylphide", it still somehow can understand type of romantic ballet in development. But then all these jumps at a gallop and twist to jump, children and Etoile in one bottle, and even muzonchik from the era of advanced Socialism - all this nickname way has not helped to focus and tune in to the sad story of the peasant girl Giselle. :-)

at "Giselle" was idea to be attached somewhere in the pit, but the room has failed. So we had to sit on the steps. Well, not the nobles are, thank God, do not count, I Albert - where just not sitting ( if the house Giselle will plant, and sit there and most importantly all those who understand how to dance ). T h to the case. First appeared A.Ovcharenko-Count Albert in peasant guise, and with the peasant look on his face, in a remarkable virsaladzevskom suit, which came to him, actually, as all virsaladzevskie costumes och well go to our free 5 minutes of the first dancer. That's all good over. :-)
Giselle as it should be ran out of the house and is believed to start jump. First the good. Anna Nikulina winner quite zhizelnoy appearance, plus the long arm, which works fine. In the 1-m branch enjoyed most as she danced variation: tours atityud, especially the first one, performed extremely cleanly and easily, with a diagonal rond de jambe is also beautifully Pts; a little circle around itself, but it's now very few people are not around - so teach.



While hearted Giselle unsuspectingly rolled to his madness, between Hans-forester, and Albert-graph unfolding struggle of the characters and we must pay tribute Dmitrichenko-Woodward, who by nature was more fascinating (though small party looked like a scene from the expansion of "Spartacus", but many like it). Ovcharenko the face of this energetic and temperamental boyfriend looked palely. Yes, and who understand them, these girls, especially rural - that is hammered into his head, fell in love, and won it in the end came. But gone mad very restrained. :-) Te sword is not broken, the floor is not chewed and gown with her hair in itself is not torn. actress certainly gave , but the pastel colors. The first branch ended at the moment usually ends the entire ballet, and some of the people went home. Therefore, the essence was to sit in the stalls.



Well traveled and went - have begun to roll out one after the other jeeps. First, Leonova, which Myrtle was on the shoulder, even his shoulders: sprawling, wide, overbearing; leg it across the whole party scene. Then two jeeps: Tikhomirov with Vorontsov. Tikhomirov, do not touch, n h, its just touch ... Recognize it is still yet not yet know, but tons to learn Vorontsov, the method of logical exceptions - one that was left was Tikhomirov. :-) I can not say that I saw right away Tikhomirov in Masha in The Nutcracker, "but it sort of Villisca was on the spot.
Angelina Vorontsov was just very good - long arms, soft and gentle impression that without elbows , n h by this time I have all these elbows dancers until Nikulina, had seen enough in the amount exceeds the limit. With that something must be done urgently. I thought that sticking out your elbows a specific Osipova, it is now common place in the Bolshoi Theater. But back to Vorontsova with the statement following facts - the dance there was nothing special, and this has nothing to she coped well. Particularly liked the beautiful deflection and very tastefully done renversée, which is not bad looked at the background of its angular co-worker.



for the performer of the central tenet of the Party that Giselle made if made 2 action was slightly plohovato apply. P h in the second act Nikulina done bits and pieces. Well, just asking a good teacher ( just do not think I :-) ), which could somehow knock down all the data that it generally is, in a holistic dance figure. It is evident that Nikulin understands the role, understands that it must be refined, smoothly, all parts must be taken into account and worked out and she tries to help her but no one (probably why sometimes smacks strongly on self-propelled :-)). By the end of the play it was clear that her party Giselle , but superdostizheniem execution will not name, m e is one of Giselle, which sechas lot at the Bolshoi Theatre.



Regarding the debut of Count Albert. Well, another Count Albert, who said Pts worried. Perhaps he wanted to perform well. And well he got in the 2 nd branch only brise.



The variation danced horribly tasteless, and she nails the entire party. No variation - Not Albert. But at Ovcharenko has some sort of earthiness, EM stantsovano all the land . So come out strongly to artists age. Of course all this can be written off on agitation of the fact that more is better, but I hardly know how it would be better, n h hardly go again on this "Giselle". And on some other similar also will not soon go :-)

Well, in general, a campaign was a success as the regular evening meetings with the long-familiar faces syrskimi. :-)





Those who me read in Europe , can already see the ballet "Giselle", which will be broadcast straight from the Bolshoi Theatre in cinemas. The main roles Svetlana Lunkina and Gudanov. Well, Class Concert, too, must show as a warm-up :-)

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Interview with General Director of the Bolshoi Theater by ITAR-TASS

Bolshoi Theatre is preparing for a major premiere

I sent the link to an interview with General Director of the Bolshoi Theatre, which he gave kavadnyas . Understandably, waiting for something new from Mr. Iksanova that 10 years of faith and truth, there is no way. But to disregard his pearls too zapadlo. Drives his man for 10 years, says about how he's a good manager, but no one believes him. Is not it hard to believe when a person begins to tell stories about a new scene, thanks which managed to keep the company and its repertoire and as a horrible example leads the troupe Covent Garden, which all dissolved at the time of repair, and then again had to all hiring. Well, hired, and, moreover, so well all hired after renovation extremely high quality of the opera there are in this rasprochudesnom performance, and ballet, which was shitty, so there is - no better or worse. The main losses have no Covent Garden for repairs. And we are under the strict supervision of the Director, has kept the troupe, finishiruem in a renovated building, in between times accidentally dropped a brooch as an opera.

smoothly into what the director is especially proud of - the future opening the main stage - a concert performed by Dima and Leschi. Assume that the concert will and 2800 the elite will be collected.
Then will the premiere of "Sleeping Beauty" in the post. Yuri Grigorovich, which all our criticism, prikormlennaya Bolshoi Theatre, of course, ohamit. Then
premiere "Ruslan and Ludmilla" Chernyakova , about which all our criticism, prikormlennaya Bolshoi Theatre, izoydet saliva.
and quintessence - the resumption of "Spartacus." question. And what of his resume? "Spartacus" from the repertoire is not never dropped out, drag it all tour, he was perfectly adapts to any scene, the people of his dances with pleasure and the audience goes with an even greater pleasure. And this renewal?

Next on the scene first tour - Choir and Orchestra of La Scala, well, baletik their own. About it even ashamed to tell. If the director does not understand, someone explain to him, - Scala famous Opera Theatre. So no need to shove us here, "Raymond" in the post. Vykharev authentic and probably from S. Zakharova. What joy. And I even guess why the opera, nobody is going to bring, n h, God forbid people listen to what it is real opera, and with rotten eggs will go to BT for "Tosca." And so, sort of like normal - if Scala Ballet brings this means Opera anywhere in the world is, not only for us.
about the resumption of "Boris Godunov" and "The Nutcracker" is also self-explanatory. This is an extremely serious work for the professional Theatre.

- opening the program itself, we consider not only as a gala concert, but as performances of the next three months before the end of 2011.

So about the right question: exactly what shows in these next 3 months will go? I think no matter how, but I did not get to have enough management 3 months for all these plans. Let's bend the fingers
October 2 will open and shut for 2 weeks in rehearsal Sleeping. Grigorovich meet and even make a 3 generalki. And then a month must be closed, n h are geniuses at work "Ruslan and Ludmila." The premiere will play only for the 5 th spectacle bast and toilets stray at least in some orderly picture, and then again to close - to prepare for the resumption of "The Nutcracker" and then the resumption of "Spartacus." Well this is a terrible thing. What kind of horror will be happening in these 3 months. About the resumption of "Boris Godunov" I just do not recall, n h can not even imagine how much time and effort required.
Well, this manner the director plans are laid out right up to 2015, but all sorts of scum to prolong his contract only until 2013, which is why nobody knows what plans are laid great Theatre in June of this year, and that very puzzle-crossword - who dances in the February "La Bayadere" that same year.

Apparently, this situation due to the fact that currently not all up to the current year, t have much to be nervous, excited and ready. After all, for the transfer performances have and sets new produce. T e in order to bring the performance of "Spartacus" at the time of the London tour not to be nervous, excited and produce new scenery, but in order to move 20 meters between 2 scenes of the underpass, this is the task difficult.

For a professional person All this should not be a problem for which you want to tell. At the Bolshoi Theatre allegedly working professionals and it is their current job. For what reason cheeks blow up? About the fact that runs a huge industrial warehouse complex? Do you have what, 50 operas in repertoire with complex decorations or about this blue badly stretched the rag in the ballets of Balanchine, it takes a lot of space in the warehouses? So far, the stores will be empty, n h Bolshoi Pts deftly managed get rid of all any interesting scenery. Or the director hints that preserved scenery Benoit to the "Ball-Masquerade" or, God forbid, registration Ryndina to "La Traviata" and "Don Carlos". On this occasion, there are many doubts. And for some rooms Mit'kin industrial-warehouse complex is not needed.
Now More interestingly, have to be huge workshops, which will make the sets and costumes not only for themselves but also for other theaters. This is for the Mariinsky Theater, which right? For us they will do, and we for them. Excellent idea.

tolerance for our CEO keeps carrying Grigorovich. An interesting story about the fact that 9 performances by choreographer is at the Bolshoi. I was just something I do not remember when was the last time was "Legend of Love" or "Golden Age" - exclusive ballets of legendary choreographer.

to the quartermaster's nightmare Unfortunately we have little write and know about the success of the Bolshoi Theatre abroad. T e a plane is clearly not enough. Moreover, the Director-General considers that the success of these unreported. I am also dissatisfied with this and would love to read about the success of "Onegin" in Madrid Teatro Real, but why press group was able to handle only one laudatory article, while I do not read English. A familiar Spaniards say that there, to put it mildly, there was a slight dip ... And that's why this event had to be hushed up, probably due to excessive modesty or shyness. Well, the opera will not touch, n h, we all remember - we do not have it and this is one of the greatest achievements of outstanding intendnta.
A ballet, well, then the solid prize of three hundred half-witted critics. And this is the subject of the biggest pride CEO. There should be at! What a joy for the Bolshoi Ballet - In 2007, the Bolshoi Theatre was named best foreign troupe speaking in England in 2006 This should have been marked as "urgent" to report all the news, and our due to excessive modesty or timidity of the matter hushed up. Or here's another - in 2008 the prize went to N. Osipova, and again silence. That way where we're rolling ... Ivan Vasiliev, who was given the award Spotlight Award among classical tanovschikov also not proved to be the focus of our electronic and print media. THEOREM every milkmaid our going in the morning milking, nor anything about any of Vassiliev Osipov do not know. And here's how to go on living? Well, just die in this place of modesty or shyness.
And for that Bolshoi again included in the category "Best Foreign troupe "I personally think the Director-General must immediately give the hero of Russia - neither more nor less, n h Iksanov probably the world's only serious quartermaster State Theater, which focuses not on his own knowledge, experience, professionalism and taste, and his team, and the opinion of Clement Crisp, Pts that quickly and easily change the amount eaten buterbordov with payusnoy or Ket.

Unfortunately here is related to the best foreign troupe leads to a very sad consequences. Millions and millions invested in football and hockey, but about culture, it is believed that she would survive that, in fact, is © Osipova and Vasiliev in continuing to receive his thousand for the play, and Tikhomirov, and even less, and "The Nutcracker" do not give a dance. Here's what happens when there is no attention to culture. It is high time already to our millions to pay the same as players. They are worse than a ... :-)

So what conclusions from this interview. Sorry for the Bolshoi Theater? Not anymore. Horseradish be with him.

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«Nutcracker Bolshoi Theater 09.01.2011 (evening)


After a lot of things in my LJ expressed regarding my moral character, and especially about ozadachevshey my friendship with Nikolai Tsiskaridze (if so transpose the conclusions from the fact that I write, it turns out to Nadya Krastev I'm just in the same bed sleep, but then there is the Hen and Vargas :-)), I had to go to the "Nutcracker" in the 2 nd time again, but only for a season of demonstrations - the third. How do you like? :-) But I so enjoyed it. Would have been fourth, would go in the fourth, but still - this season pack shut.
To be honest, no one I particularly did not expect and people were och much, so the first Department of hanging around, standing on the attic, and then somehow fell in all the same trump folding seats to sit on that with every performance becomes all uncomfortable and inconvenient - fans with the experience, gouging them drebadan :-)

Looking at from above and from the stalls Angelina Vorontsov , I tried to look her position with her fierce accuser, which is something like a bit much formed. It would seem that 20-year-old dancer, the winner of the contest, moving up corporate ladder, not naughty, not bothering anyone, and sometimes mending Primus, due to its feet ... And suddenly, no such kindness and affection, and this beloved and already become winged good luck to you, girl . Nothing. Struggled to understand what is so annoying connoisseurs, and most importantly, usually so friendly, friends Ballet. For example I like the enemy, sometimes let myself boorish remarks, but friends ballet .., how this could be. In short, nothing else but Tsiskaridze - Teacher as an irritant not truncating. P h Masha Vorontsov dances well and this performance she danced something called a high level in the full accordance with the criteria that makes a great little scene of the Bolshoi Theatre to performers who are on it.
Claims for not may turn - real stupidity. All tours solo svertela perfectly well, but in the hands Tsiskaridze spun as whirligig.
suffered a slight variation in the blooper - with a pointe just fell off - but, you know, so these blunders in whose performance we just did not see ( we , are those that go to the theater, n h there are still we , who saw as Ekaterina poured variation; but as it poured Ludmila myself repeatedly watching :-)) T h It happens to everyone. Even Ryzhkina can happen. stantsovano Everything else was right.

I Learn appeared a great many scholars who speak about the prospects they see them or not see, on that it is necessary to dance this ballet dancer, let her on stage or not. And the question really is, what are the reasons they were not allowed into the Hall of the Grand Theater to watch the whole entire show, and then the judge let ryadit about what a dancer Okunev worthy of the Bolshoi Theatre, a ballet dancer Vorontsov with some kind of hangover, unworthy. All are worthy. Ballerina Okunev worthy dancing Forsythe, a ballerina dancing Vorontsov worthy Grigorovich. To each his own as it was written you know where.

Looking Vorontsov once again pleased to continue the theme of ballet - the art of beauty. Though I will agree that since the late 20 th century This postulate is thoroughly forgotten. P h stage BT, and I have already said, filling the very pampersnoe generation, which is reeling in the cities with a can of beer in his hand. Do not know why, but somehow lately Pts noticeable that the streets of our capital city had disappeared long legged beauty, more and more such features as shorn, feet topsy-turvy, facial expression you can imagine. :-) Well, with a floor more difficult to understand, because these girls the boy is now the foundation of any metropolis. And now most of these girls, lads and I saw that when the TV show rehearsal Forsythe. Two of our zvezdischi Osipova Krysanova as if from the street and ran. There More ! mind of Commerce in their statements shone, but it's a separate issue.
And returning to Vorontsov, it must be said - her femininity is obvious, but it is so unusual for Friends of the ballet, which immediately starts swelling of lips, eyes and cries vytaraschivanie go away, go away . Each splint is inserted into the line and those mistakes that we did not observe in their tadpoles and krivonozhek, if Vorontsova log a roll out. And the fact that she is only some 20 years, no one remembers. All of it requires that she danced like Tereshkina or as Maya Plisetskaya, would be a personality, but also that before 1975, n h after 1975 Plisetskaya lay it on the floor, then Bor Efimov, then Sasha Bogatyrev, and while doing it very well, personally, to repeat this triumph is unlikely anyone in the coming years.
In general, I like the enemy of the Bolshoi theater, writing: More Mash good and different, the success of you girl and has been creeping fingers on the keyboard to fill how I want to Natasha Vania .. , but remembered that I'm not one of ballet and foe . Please do not mix. :-)



At the end of Tsiskaridze. Initially did not want anything to write, so the geese do not tease, but I did just as well not notice Tsiskaridze on stage was difficult Pts. And most importantly, here's what to do with success and where it shut when the entire room without rassadok the center and side hammer and yells, greets and escorts. And it is for what. Everything with him. Red jacket looks great, perfectly combed, triple in battle otvertel lightning speed, all the support did, landed softly and was such a fabulous fabulous :-). I think not nabitsya for me to his friends ... :-) Well, no. :-) I'm free artist, and I shall in general the old guard .:-)))

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Recital Ermonela Jaho KZCH 08.01.2011



Ermonela Jaho
State Symphony Orchestra "New Russian Conductor - Marco Dzambelli / Italy /







sonorous online surname Albanian singer Ermonely Yaho beginning to sound not so long ago, Although she made her debut on the operatic stage, if you believe the program for you and them, this programm actually better not to believe in 17 years. Michael Fikhtengol'ts and suggested that this name in the regular season quite skinny post office set the stars of world opera. If anyone remembers, the concert was to be held in September, but this time at Ermonela Jaho happened just yet historic change in textbook style perfectly - just before the concert in Moscow, in London in "La Traviata" should was to leave the Krasnodar charmer, the star of all time, Anna Netrebko, but something happened to her there and was replaced by Ermonela Jaho. And so it replaces that it was in days Concert Covent Garden invited the singer to take part in the Japanese tour, and again from La Traviata. Press in London Yaho got ugly. But to date, bad press, especially in London, usually indicates a good level vocals. I'm right, even cheered, hoping to hear this coming out (or roll out), a star of world opera. And when the program learned - oh, Christmas tree turned, - the days of thought, the nightingale waiting :-). Well, wait. Until now, no way to write could not, the hand is not rising ...

For orchestra was Orchestra New Russia, perennial accompanist for all the celebrities arriving in Msc. T for this time concert decided several vypendritsya and the overture to Seville not play, then played the type nove: the overture to "Semiramide", "Norma," "Luisa Miller" and the opera of Cherubini I do not remember the name. Played badly. Especially the "Semiramis." And then say not every day musicians are playing - this time, and, secondly, maybe the music someone has not got and the other had to play just to report about this opera.

Despite all the triumphs Yaho in La Traviata, she itself currently is furious belkantistkoy. Therefore, the entire concert audience she was choking quite indistinct vocals in this bit of opera performances. For bel canto is not enough bel . No bel in his voice, n h voice to the common yew planks, no bel in technology: no fintiflyushek and fioritushek and, above all juicy and sky-high tops, but what would you like if the singer zaoodno acted in "Maddalena" by Prokofiev and regularly comes in the form of Mimi. Here is a bel canto mimivoe . Still completely lacking of bel , which made our rival of Maria Callas, Anna. THEOREM clear in appearance - the singer from the wild country, but not so big, where the main streets go bears. :-) But the portfolio is well impressive, more than her voice. I do not know the merits or shortcomings include a certain monotony of execution. Yaho all sing the same : Juliet; for something, and Amin, as well as Anne Boleyn, although here I Netrebko imagine - it's something she would nasvistela; hefty scene Imodzhene exactly also like everything else. All these large fragments and smooth as major strokes, although it could be shown and bead techniques. But others do without her. AND Now this bel canto in the afternoon with fire. Is that Gruberová fuck double-breasted jacket and skirt a glass to mid-calf, but she, despite the impressive age at subscription concerts in Msc not yet matured.

All these vocalize surprisingly went under an amazing cool reception hall. I even appeared feeling that our melomanskoy public such concerts began ostohrenevat - different singers, and concerts alike. And, again, the request to the organizers - well bring at least some peasant, baritonchika or basque. Tenors for big money Kwas mmmdm, it is their tradition. And here some grandmothers to smell it is difficult that is to drive.

For honest Yaho best sung Adrian. Written and understood, it is a backhanded compliment. :-) Well, at least for myself I have this shelf zadvizhechkoy closed, especially now with the work of this singer will meet, perhaps, only in one compartment with someone I was very interested.

The Ultimate Element Crossw

« Nutcracker Bolshoi Theater 01.02.2011 (evening)


Where to go man, exhausted Piggy and Stepashka represented Kirkorov Baskov Galkina, and from this year yet, God forgive me, Marina former Weissman; iznemozhennnomu also raznovsyacheskimi gastronomic goodies and plentiful booze at New Year vacation? Of course on the "Nutcracker". Especially because the main theater of the country this ballet combines perfectly with excellent choreography Y. Grigorovich and magnificent clearance SB Virsaladze. No, I certainly would have gone to "Hanzel and Gretel," as everyone in the world do, but the Bolshoi Opera is still not up to European dorastet heights, so I had to be absent on the belly baletik :-) And not for nothing that went down, I tell you. Looked like the first time and in those moments, eating a delicious hunk Olivier white (on the road bought), terribly proud of our ballet, which remains inaccessible to the heights of space, whatever the Ratmansky tried to his ABTishnym "Nutcracker", Gershenzon with Forsythe, Marionella Nunez with the temperament and mUderatory baletfrends to put it to Europe :-)

You probably surprised, but I even Orchestra Pasha fonKarayana liked. That's what it means to trezvyanku watch and listen :-) Lyapy certainly were, but even they could not spoil overall impression.
not spoil the impression, and slightly grown-up Angelina Vorontsov (last time I saw her in "Paquita" at the party Pestov). Gentlemen, Comrades, как же приятно смотреть на красивую балерину на сцене : головка маленькая; ножки стройненькие; стопы ладненькие, аккуратные; с координацией все в порядке. She dances well. No motion is not in the music. High jump; flip soft; rotation clear. Faces no cramps. If you add that partner Vorontsova was Nikolai Tsiskaridze - Gourmet smoothie, which is now in great shape, I am as if in another Bolshoi Theatre of his youth visited. Duet - above all praise: excellent support ("chair" on one hand) rotation dancers in the pit rapid. A pair of very beautiful and musical.



T h sit and be jealous of me :-)

Leaning Mirror Securing

[FDP 2010] Still it burns. _. Letter to Santa

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