Monday, January 24, 2011

Difference Between Tendinitis And Carpel Tunnel

BSO Concert them. Tchaikovsky Conductor - Vl.Fedoseev, soloist - Krassimira Stoyanova MIHM 24.01.2011

How well do sometimes take a break from ballet, moreover Walker such as I, and with such a full of choreography January. One is bad, well, halfway into Domodedovo Moscow International House thundered in ... Worst of all, to such things already beginning to get used to ... (((If this is our C'EST LA VIE, then I will not discuss the event, an eyewitness who was not, and tell you about the concert, which was.

Krassimira Stoyanova I waited Msc in a long time (well, and several other people were waiting for :-)). All other music lovers are turned to nothing - in the hall were not many people. A pity. P h show different faces uncommon look of , at least performed works.
In the 1-m branch of Tchaikovsky's Symphony Orchestra directed by Vladimir Fedoseev performed 4 pieces separately (I, IV, V, VII) Suites for Chamber Orchestra "Classic and Romantic" (Classical and Romantic), Bulgarian composer Pancho Haralanova Vladigerov. The audience, consisting mostly from grandparents, trying to thank the musicians after each of the sparse applause sluggish, but at the end of the room briskly and long ovatsiroval Orchestra and conductor. And it was for nothing.

concert continued Krassimira Stoyanova. There was a whole from a well-dressed, with a red tippets over his shoulder, with provisions for all, respecting a diva, with diamonds and with a voice, an analog which is not so easy to find. I must say that despite the interesting program - Dvorak, Tchaikovsky - It was written quite sparingly and briefly, in principle, and it is good - n hour long program is to make our audience may not :-). Since 9 o'clock start wobbling the hall and some scuffling, and after each subsequent works outgoing begin to raise the entire series, and his whole appearance Hall makes clear the artist - no more, rounded. So, in our case it was not, probably because the concert even with bisom that hollowed out long enough time has ended twenty to nine - EM until the X was still some time. :-)
In the first part of the evening Stoyanova limited by 2 pieces: one of them known to everyone Pts and beautiful aria Mermaid Měsíčku na nebi hlubokém , the second little-known, but also a beautiful aria from the opera Desislava Parashkeva Hadjiev "Maria Desislava". I am very Like the song of Krasimir Stoyanov. I find her voice close to the perfect lyric soprano. On the opera stage, a graduate of Moscow Conservatory violin made its debut 15 years ago and I must say her career was quite successful and authentic her magnificent voice: she Kammersängerin, and sings in all the best opera houses, and doing it without any melteshni and excessive noise, but every self-respecting fan knows the name of the opera and evaluates vocals Stoyanova appreciated.

In the 2-m branch orchestra brilliantly played fantasy-overture "Romeo and Juliet" by Tchaikovsky. All the recent concerts, where I was and when singers are accompanied by no means the best orchestras, makes me feel depressed in this situation accompaniment for Stoyanova was in full compliance her unique voice. Well, just for the music is all well and nothing to complain about. In Msk is rarely heard and, again, my regret at the lack of interest capital of our motherland to such a very high quality concerts.
culmination of the evening - Tatiana's Letter and its fulfillment was outstanding. For the first time for many years, this cult fragment ( and actually have the procedure and the teeth on podnadoevshy nauseam in English. our singers :-) ) seemed so short - Did not have time to look back as it was over. Why I thought this performance by today's absolutely incredible. P h on today practically impossible to find a singer who can sing clean, uncomplicated girl's voice. After Tatiana sing all those who either lazy thick, oily and recessed votes. Now the fashion on a solid sound to music with the eggs "and" Eugene Onegin "has been exposed to this ranking ( allegedly Tatyana such virgins, her only for sex and no longer to what ), almost soprano dramas strive otvulgalizirovat this music, and even drive it became fashionable to give away (about a pure physical passion with crawling on tables, etc. I say nothing) So Stoyanova - not Russian singer - has shown how it is sung and the sound and the meaning and beauty. She sang the soul of a young girl, and not about her body that does not know where to accommodate the night looking. That is surely a sad silent silent , but is full of such inner beauty and charm of a psychic and tenderness that just wanted to just listen to Onegin, but only AMP-hundred, let Krasimir Stoyanov. And no Mitya Chernyakov not need to explain what happened to her. Ourselves to deal when he heard this bewitching voice, the voice, which obyasnyalki paunchy and bald do not need - he will tell all.













For those interested in good voice and in particular Krasimir Stoyanov - she is going to come in November, along with the chorus and orchestra Milan Rocks. THEOREM these tours in honor of the Bolshoi Theater has become more exciting and real.

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