State Academic Choir Capella of Russia to them. Yurlova
Moscow State Symphony Orchestra conducted by Pavel Kogan
Conductor - Gennady Dmitryak
- Elena Zelenskaya
- Elena Manistina
- Karina Serbina
- Khachatur Badalyan
- Andrzej Beletsky
- Mikhail Kazakov
Going nowhere. But if you look closely, people in the audience will always find a chair in which he can get fraction of its pleasures. For example, today, yesterday at the Concert Hall. Tchaikovsky Concerto with malooriginalnym called Bravo, Verdi! In addition, the year in Italy Russia is dedicated, and, besides, Verdi Msc not Pts held in high esteem - the intellectuals of his music in any penny is not valued. In general, I'm going to ... Passed fair and square. For 50 rubles ..:-) And do not say that people should not be - packed hall nabilsya. Barely on the very spot snatched his attic. The spectacle of the top luxury watch - closely packed hall, chapel them. Yurlova in the women's section is very nicely dressed and, moreover, appeared to change costumes after the intermission, the stage, was decorated with pink flowers. In short, what and how to comply with such a design is not important. It was all the buzz.
bit about the audience. This theme now occupies the minds of not only the public but also Internet-stars World Ballet, which followed internet opera stars have launched a storm of activity on the network. I could see everything from above:
- to pass any fallen asleep American to chair did not fall, as it was on the ballet "Park" (by the way no one American at the concert was not observed);
- yes, some of the music looked on the screens of their phones, and some were even sent sms, and can be written in hot pursuit his impressions of what they saw and heard;
- camera flashes, too had the place to be;
- charming music phone calls are sometimes wedged in the enchanting music that could be heard from the scene.
But all such details compared to how nice our audience.
crowds began to leave almost the very end of the concert, about 10. And, you know, if a woman leaves, she will prignetsya not to interfere with those who are still willing to listen to music. But the main advantage of the public was still that it was a lot and she alive to what is happening. P h, we know what are the concerts, when the hall 3 sisters and dyadyavanya-firefighter . As if she herself did not conduct this public, but without it all will not good. Art for the empty seats do not happen.
But I digress from the essence of what is happening, n h, hit the Internet dependent on intelligent discourse in blogs star ballet undecideds. Subject really interesting and I will vremechko to it will definitely be back.
In this concert in the first place was the National Academic Choir of Russia named AA Yurlova. Wonderful choir. That's like in the opera does not participate, and how accurately sung and Va, pensiero from "Nabucco" and entrance from the same choir, and chorus of Scottish immigrants from "Macbeth" and the chorus of gypsies "Troubadour." And for what a choir is not outraged, clearly come together, sing as a single voice. I'm not talking about the Stabat Mater from the cycle of Verdi's "Four Spiritual Drama", which, you know, not a 2 x 2 = 4. Moscow State Symphony Orchestra conducted by Pavel Kogan (conductor - Gennady Dmitryak) compared with the chorus of course lost, but the scene of the Triumph of "Aida" copper pipe so, as if it happens in Germany - a pure, ringing, generally without Nonsense. Can you imagine that? We have something trumpeting always in the Neapolitan dance .. especially in the fast part of it ... :-) Well, it does not enjoy good sound.
If you talk about singers - were represented by five types of voices: soprano, light soprano, mezzo, tenor, baritone, bass - then basically it was the old guard of the Bolshoi Theater. All
order in descending order:
Mikhail Kazakov. biggest success and biggest bouquets. Philip sang and Attila. Italy got not enough, and Verdi, and even less. But there were many rusopyatoy of deliberate, open sound coarse and falsehood. Manner singing a strange .., Old Believers, with eversion of sound inside out. And another strange feature great voice, screaming like a loud, but as soon as the orchestra adds power, immediately sinks. It is understandable why somehow fades career of this bass in the west. There is so now do not sing.
Karina Serbina. sights on Violetta Valery. Sing this role she had nothing. Again a success, but it is "bravo" by Verdi. The performance was beautifully complemented by circular movements of the hips and hands, and the entire body played in the tone of her pink dress.
Khachatur Badalyan. Again, as always when I hear it, with the upper notes are not friendly. In the sense that it is not that a rooster gave, but that do not have them with him. Mid became wavy. It is not yet pitching, but for most it is Lohengrin. More more Wagner popoet and rolling around the corner. I Badalyan liked his sincere behavior on stage. The first time I saw that after Violetta's aria, in which as is well known tenor vocals, he (tenor) go out on the bow, along with the soprano. And not once! Type, it's a duet. :-)
Andrew Beletsky. This is on the rise. Sang a duet with the tenor of "Don Carlos" and an aria Jermon. And aria Jermon was one of the pleasant moments in the evening. Verdi's style is maintained, all the nuances are met, sung everything exactly. Voice level, the nature of a pleasant timbre, upper / lower classes are all in place. Hall covers.
Elena Manistina. most westerly of all the singers who were on the scene that evening. Pleasantly surprised in appearance - lost weight, changed her image (in the sense of hair) and looked very good.
In little vocally what has changed. All the same, not too brightly colored bubbling middle, + strong rastembrovka in Spell Ulrike. In general, I think, the party Ulrike at least in principle, and continuous, but not for mezzo rewarding. Almost all singers strive as much as possible to give emphasis on the lower case (friendly case, musical material so constructed), which is not at all well developed and obtained the same effect guy , - when the singer is a great burden on the fragile and small developed bottom and begins to sing tenor :-) On the other hand, when nursing notes on the nature of strong nasyshennye and bright (as, for example, Nadia Krastev, or Nina Terentieva), and large vocal effort does not require the execution of the center is still pale. Why is it so I do not know ...
Unfortunately, even in the song Azucena Manistina not flashed no top notes, where there is simply no, no dynamic performance. Things are pretty, but not indicative of the mezzo-level Manistina. And it all as a mezzo-soprano range (and could sing Eboli)
Well, for Verdi's prima donna sweat Elena Zelenskaya . Very professional singer. She everything is always calibrated, all well-rehearsed and everything is always monotonous.
What could before, namely, Leonora in "Force of Destiny" - one of her best spektaley Bolshoi Theatre, it is possible now. Although there is a loss and sometimes significant.
fact that from the outset did not, namely a drinking-from "Macbeth", and now sounds not so hot as. Aida, by the time she sang Zelenskaya Pts much and which, to me an act of continuous memories, sang honestly, and if this performance was on the stage of the BT with her and Manistina, I would go to listen.
But all this if yes ka would ... "Aida" at the Bolshoi Theatre in honor of the anniversary, even Verdi's not expected. And in general, seems to have decided not to big bother. Anniversary of Verdi, a jubilee for the whole world, but not for us. We have our own way. We note the anniversary of Verdi "Der Rosenkavalier."
on musical klipchikam. I, as an honest, prepared: check equipment on the charge - the display showed a stable three sticks took 2 stick. But once started writing the first piece of battery treacherously blinked ... T h selected for your taste, the most worthy and very short :-) And it is all well I figured that since March last chords of "Aida" technique finally passed out. :-) This is especially for my friend Michael from Riga, which is constantly chides me that I did not write choruses. Here you go, the chorus is not worse than at La Scala, and vremenkmi and better .-)
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