today (as indeed and yesterday) in "La Bayadere" at the State Kremlin Palace was something like a full house: no ticket in hand, happy Speculation person on the street, almost to the last series, scored takedowns and slopes of the amphitheater. On the one hand, it is nice, dammit, on the other - zadolbalo jump from place to place. :-) Here's to you, please, classical ballet + quite reasonable prices = everyone is happy. And put in the Kremlin "Reflections" (which, in principle, and it is reasonable to premiere in Russia - the first concert venue like no country deserves this event), and beset by vague doubts about the full complement of at least the first 2 dozen series. :-)
In "Don Quixote", by the way, there are no tickets and I, as always, all shelving to the last, seems to be left without a comfortable smoking room, Kurnik, a charming and Angelina Vorontsova Okuneva as a street dancer. ObYdno, pancake :-)
Due to the fact that constantly had to change the location, klipchiki went wrong, as we would like, pictures, too, failed. T h do not judge harshly than rich ...:-) At the organizational issues please finish.
Now about the play, about which, frankly, nothing much new to say.
All the same is not balanced sound coming from speakers, the orchestra of the Bolshoi Theatre (Although, one innovation in the second part, I noticed - solo cello accompanying the 1 st slow part of the "baskets" went in unison with the characteristic sound of the pledged nose, wheezing EM :-)
All the same dances in the dark on the trampled the black linoleum.
The same clumsy work lights during the performance (the extent to which to smudge stain Magedavee, if among the fakirs my idol Tsvirko Cook stood out as against Aboriginal)
dancing. second of three "bayaderes" promised Two significant debut: Anna Nikulina - Nikia and Michael Lobukhin - Solor.
Nikulin, show me in 1 Act, from 22 a ringside seat bijou :-), when first appearance as an arched her back arch, and passed the entire first act :-) I will notice one strange feature of the dancer, her long, soft hands as if live separate lives, she always want to weave their intricate lace, that it has successfully done (which is only once, when she spreads them wide and automatically lowers the brush like Syuimbike in the 2 nd act). No they would somehow connect with the body, then maybe and "basket" would have been a not so torn (Though, pay tribute to, the treatment of the subject was not present, Moscow - Shopping is strictly parallel to the floor, but the pace has been set too fast ), The adagio in the Shades "singing, and a variation with a scarf sklepistey. In my subjective opinion, the first exit, meeting loved ones, and an adagio with a slave most successful moments performance. The scene took place rivals, as she recently usually goes to BT - the kitchen and even in this case was devoid of any kind of dynamics + poorly attached to the head of a short blanket faded colors of orange added a pale color in a small way Nikia performed Nikulina. "Shadows" I did not appeared. It's not that bad ... Angularly ... But this was the first performance, beginning with t put and we all hope that under the strict guidance Boris Akimov, Vorohobko ets image Nikia performed by Anna Nikulina will develop, as, indeed, she herself as a dancer :-)
Michael Lobukhin for the mere fact that finally appeared on stage than in their specialties Leningrad, satin cloth , but in normal clothes - Respect and uvazhuha :-) Although, frankly, Pants outgrower at the men in ballet I've never liked. Danced reserved. Held firmly. With both female partners was courteous (though for some reason Shipulina did not want to turn in his hands). Nothing special sort not impressed. Is that the goats in the code, but I somehow lost touch with them and skillfully made double-Assembly To me, looks much prettier and far more impressive. As a dancer Lobukhin respect, but because it so pret pedantic St. Petersburg's academic character that even in the classic "La Bayadere" I want to say - well, let's, obnagley , finally! :-)
relatively dancing Catherine Shipulina. Business as usual. Excuse me, but I can not fairly related to the singer Gamzatov party. I've seen live Tatiana Terekhov and more than once, and then, as they say, without comments.
only thing you can spare, brilliant performance - it was brilliant, no bells and whistles that today no one will see - where something had happened. Licentiousness, rollicking, whiteness - it indefinitely. Now all live on stage , but give me a dead , but to make it two rounds inside bent into an arabesque in music and fine in classical ballet. :-)
About Tikhomirov quite too busy to write today has to move off for a while. T h watch and enjoy :-) and behave well :-) Then, can still tell you interesting things :-)
(posted on You Tube the other two variations of the "Shadows", the channel пользователь dolchev)
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