Then came a black month for real friends Bolshoi Theatre - solid Grigorovich and they have nowhere to go. A small bone in the form of "Esmeralda" with blonde and so loved by them, "Vain precaution Frederick Ashton them all the same had been planted. T e poglodat be something, but this saturation in this scenario is difficult to achieve. :-) Well, never mind. Not far off holiday ... Absolutely go gossip about that from 1 January Mahar Vaziev, which quite easily found a replacement in the Rock in the face of Derevianko, will still at the helm unsinkable Bolshoi. And in company with Gershenzon, Gajewski and Vikharev still drowned Forsyth, Herman (th) Schmerman (ohms) and Rubin fucking. I even have a proposal - ultimately translate ballet stagione, and then 6 times Herman row with rubies, followed by 6 times "Petrouchka" with "Serenade", and 8 times in a row, "Youth and Death" from "Russian Seasons." That's where we all rest in the pit!
But now rest in the pit was not possible, n h Theatre, exhaling after a day of pack, "Don Giovanni" and began to work for its intended purpose. Namely - Give baletikov good and different. Today gave "Romeo and Juliet." And, despite the absence of a full ballet friends - they do not go on this, - the hall was polnehonek. And, characteristically, after the first branch of any reptile of the holders of season tickets did not go home. So we had to stay in their places, which Though cost 50 rubles, but were not bad - no one could see only the edge of the stage. And so, almost the entire ballet feast was in full view.
I hope all those who have run up to my LJ, they know how I feel about Grigorovich? :-)
For those who are in the tank to announce that I treat it not as Mahar Vaziev who allegedly severely punished Directorate, that he would go to the post of artistic director of ballet only when the theater will not Grigorovich. And I love the Bolshoi when it has Grigorovich. Here we have to Vaziev raskosets obtained.
composition was just the one that I failed to see the premiere. And he did not grieve, but rather by the entire simply is pleased.
Well, first of all, for no apparent reason, the Count Paris. :-) P h much of a París different colors I have seen enough from time immemorial, there is only one was not ... But almost always it was crap and talk about Paris is not vodilos ever. And then wanted to talk about the image, the beauty of the lines of the elegant jumping on the noble appearance of refined manners, at last. Programme of course I did not have. In person, I did not recognize him (tonnes on issues do not go to school a long time ago ). And only in the subway on the way back to find out who is this wonderful dancer. It turned Vladislav Lantratov . And right themselves greeted with a very pleasant experience. :-) P h I love it when like and the role of not wanted, and suddenly - bam - go dancer and makes it sweet. With what I do and I congratulate the artist.
№ 2 Michael Lobukhin . A visiting Vikings from the city on the Neva, and while that is not very rooted in Moscow's dung. Well, you know, Leningrad school and suddenly late Grigorovich ... However, with him was also fine. The image and dance - a strong performance. Very suitable texture, hammered posture and lack of fussiness in his movements, accurately follow the music - it's all in his asset. Killed Mercutio exactly to the music and how delivered - literally three movements.
But I do not quite understand why so much was shaking his head. However, it seems, so now show teachers, n h is the same make and Dmitrichenko. And the party Tybalt so all strongly dance and made that increase the impact on the public with exaggerated facial expressions and gestures do not need. So far, Lobukhin clear and perfect technical side takes precedence over fashion. Slightly exaggerated way umelchaet impact of a powerful dance. In this performance Lobukhin more Tybalt Lavrovsky than Grigorovich. And its possible of course much greater.
central pair. In plus, you can add a general impression of the extraordinary young soloists. Although Nina Kaptsova very very young dancer will not name, but Juliet has turned her just a girl. And even when she was a woman still remained a girl - pretty, with a girlish figure, light, with a sort of helplessness and passionate. I understand that all Pts plush, but Juliet Kaptsova it is.
dancing carp was not to anything. Choreography was totally her. Yes and it looks like a ballerina was not thinking about technique, about the difficulties of execution. Just trying to live on the scene in this way as it understands. And managed to make enough healthy Pts tedious courtship scene of Paris. In short, they Napara with Lantratova turned out well.
The final course was strumming on the part of the passions, but there's orchestra played well, I do not understand how the artists managed to end to bring the show .. such navytvoryali. :-) Prokofiev Pts difficult composer for the performance of the Bolshoi Theatre Orchestra.
Artem Ovcharenko , now time and the main ballet lover's Bolshoi Theatre, all the support did. :-) And so something successfully spun, jumped, and the broad strokes
Zagrebin danced about as well as at the premiere of Mercutio and his party. With it, he has problems no.
turns out, that was quite a good part of the soloists. I'm not talking about the play itself, which has managed to iron out a very negative impression of troupe after the Daughters of the Pharaoh "in the Kremlin. There are those who danced in the woods, who for firewood. Today was another matter entirely - all perfectly rehearsed, each knows his maneuver, and all the performance testified to the high professional level of the troupe. T e can be when they want to know how to dance and fun. Ballet is excellent shot down and directing, and dance. There is no looseness that was in the same "Pharaoh's daughter." Directed by Yuri Grigorovich dynamics of "Romeo and Juliet 'is such that, at times quite boring music by Prokofiev does not make it boring, which I no way I can say about Reed Lavrovsky. There, from pantomime and from Primitive dances do not know what to wall climb. I know. Had at one time to see this event - I still remember those days when Tsiskaridze Troubadour danced with Sklifasovskoy :-)
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