Today, the Bolshoi has occurred event. For the first time dancer who graduated from the Vaganova school, danced Spartacus. It's no secret - "Spartacus" ballet, in which dreams to make any artist able to do it on the technical and physical condition. No one is forced to teach the ballet Nicolas Le Riche in order to make it one single time; nobody forced Carlos Acosta burn it to DVD; Ivan Vasiliev as soon as I saw "Spartacus", immediately ill them. That St. Petersburg pulled.
Lobukhin himself told us that ill "Spartacus" began with the first live show of the ballet, and very strongly made every effort to have this role in his service record list. Today's performance clearly marked - the claim is completely unfounded.
The first output appears nervous trembling beat him so that he began mandrazhirovat the whole room. But Michael Lobukhin quickly coped with it and spent the whole game at a very high level. He has an exceptional texture under this role, the right physique, manly kind of strong-willed. Costumes Virsaladze, invented for the main character, looked at it flawlessly + good job makeup and there you have finished the hero of the cult of the ballet. Of course in "Spartacus" one looks not manage, but also the technical side of the case did not disappoint. If the first action were some kovyryaki and too much excited melteshni, then the co-second all vanished. T e a dancer in a good insolent on the scene and realized that all turns out. Loosen up, he began to start, and the central hall of the variation of the second act (before the battle with Crassus) was already on "Cheers." Lobukhin wonderful Cavalier, which is not surprising - in St. Petersburg, he worked with Berezhnoy that partner absolute and skill lessons were not lost. If the 1-m adagio was some uncertainty (for example, the flag was placed on two hands, but honestly, I do not remember does anyone now all on one hand), the "tent" was without a hitch and had a lot of poetry and beauty in the movements (only you do not think, Vishneva was not dancing :-)) And most importantly, full compatibility dancer and the ballet.
tricks which are constantly indulges Ivan Vasiliev, was not. However, the execution of this does not become worse. And not every artist can enter into one of the best ballets Y. Grigorovich so, as if his whole life is dancing. But Spartak, I remember many, and in anything can happen. But to just say - YES, Such openings can be counted on the fingers. Still can not help but mention a dignity artist - dancing very well, a scene for him is not a sandbox.
But mk I can not just crack up all the time, then a spoonful of tar in this barrel of honey still rubble. :-) Despite the fact that Lobukhin muzhikovaty dancer, but ... It is this "Petersburg salon school must be evacuated urgently. H h is all very well when everything is so vyvorotno, respected position, gait ballet, but it's for Prince Desire and Count Albert rolls. And in Spartaca be in zaboristey, in brash, more so, all data for it.
Well, in general, all the great connoisseurs of art of choreography, were on the play, said - now we have two Spartak . And I fully agree with them. From our table to ihomu table (Vaganova school and personally Sergei Mihalich careful) Big Respect. :-)
Svetlana Lunkina Michael Lobukhin
Yuri Baranov, Maria Alexandrova
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