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«The Passion of the Big" in "Schedule" Svetlana Sorokina

Part 1


Part 2



Quite Discussed event. And, anyway, which side is not treated, the protagonist was Nicholas Tsiskaridze. At one point I even regretted why I do not work at the Bolshoi, I would have more opportunities to observe the star ( it apart jokes ) Russian ballet. And Comrade. Shmondarevu and his ho-companies need to once and for all shut up and stop making attempts to bully, to give any estimate, something advise and m e. Where are you, gentlemen, professors and critics, and where Tsiskaridze. Snout not come out! Therefore Tsiskaridze opinion has weight, and your, sorry, no.

Yes, of course, company on a TV assembled a motley. Svetlana Sorokina known teatralka (I remember how we ran together at the Mariinsky Theater, and even then hello :-) ), A fanatical admirer of Gergiev and turned out to be anything new. For example, "La Traviata" in the post. Franco Zeffirelli. Here at all with Tsiskaridze happened just a holiday of some sort. :-)
basic fallacy of all the new defenders is that they do not know what to call the new opera and, especially in ballet. They are ready to call the ballet "Wolf" Roland Petit's remarkable new clothes just because of this work has never gone into Russia. A "Romeo and Juliet" in horeog. Grigorovich dusty old only because it is said Tanya LevTolstoy .
Since returning to Zeffirelli. It is a pity that Sorokin did not know that the maestro at the time offered that the Bolshoi. But the Bolshoi Theatre proudly rejected it only because it called her a dusty old. Remember the famous phrase innovator Vedernikov - You can still "Aida" from "La Traviata" put ..?

the part of the opera (today - the transfer was 2 pm) val Parsley Pospelov / petrpospelov /, which with some been mobilized and is designed under the banner of the main opera director of the Bolshoi Theater for All Seasons Dmitry Chernyakov. Sorokina put on the form. I have a protégé in St. Petersburg. Fool-packed, the opera does not understand anything, but wants to be the demiurge of this art form. But invite them at least once a neighing. Pospelov already tired and Renansky still a new face. Of course I am afraid that with Tsiskaridze attack will happen, but he somehow learned how to pull together after a Shangina seven skins and nearly pulled him naked in Africa would not let me.

Pospelov, too, in its way is good. Shameless, insolent, and it seems the public does not want anywhere for a conduct, such as Gershenson. Him anywhere in the main report to those abstracts that are outlined figures of opera-demiurge. He outlined them:

• once again for 15 years, the Bolshoi Theatre is the European theater.
• for the umpteenth time in 15 years, the Bolshoi Theatre is on the rise
• many times and in an insane amount Bolshoi Theatre, new conductors, in which the orchestra, once again, will play nefalshivo. And go live to the time when the Swan Lake can not be be confused with Spartacus
• for the umpteenth time at the Bolshoi Theatre invited to sing the star of world opera, not only in the prime minister, and in the usual repertoire

But we want only to ask how Chernomyrdin have Yavlinsky - where you take? Pospelov certainly glad to answer about how the Philharmonic all is well thanks to the work Fikhtengol'ts. But at that time I did not understand why those who are singing in the Philharmonic did not sing at the Bolshoi Theater? Why did the Philharmonic singing young singer Alexanders, and in large Cherstin Avemo. Feel the difference are those who know the voices. Not talking about Frittoli, she also sang in the Philharmonic a memorable concert, and I am pleased to listened to in "La Boheme". But instead I offer Veronica Dzhioeva. A sand poor substitute oats , it's about Henry said, and since then little has changed.

T e, if I understand correctly, demiurgic line of the Bolshoi Theater is that the stars of world opera here is not invited to their star status, and on concepts. Bolshoi Theatre turns a boy on the contrary - the man whom we invited, this is the star of world opera. And that you just Pospelov say.

its European status and infusion into the European family of BT fill is optional confirm "Ruslan and Lyudmila," setting which of course will change all that, what makes a great theater before, n h, there promises to star as a star, though without the coloratura, but as yet named. Moreover, all the power stage will be thrown at achieving a permanent picture view of the room, carpet and chandeliers. And all the efforts of the unfortunate Nikita Shangin, mocked Tsiskaridze, all his care for the poor viewer who allegedly very outstay unpleasant change of scenery, fly to the devil. With our a main rezhopere - nafig some scenes, some pockets. Again expose vygorodku and sit-admire the opera-film, Ruslana coat a la Marlon Brando.

BT with that his unhealthy desire to stand on a par with some mystical European theaters doprygalsya far that is unable to understand what exactly the level of any European theaters, he diligently trying to catch up. In the west, and various theaters Pts I somehow always felt that the Bolshoi Theater is the theater such as Covent Garden, Wiener Staatsoper, MET. T e a powerful repertoire. And the first theater in the country, do not forget about it. How could so contrive and do to the TDB was not less than 40 operas, which at any moment can be put into the repertoire, as was the case Hollender. To productions were classic and innovative - something for every taste. But even in the sludge rezhopere like "Eugene Onegin", you are welcome - Simon Keenleyside, Tamar Iveri, Feruchcho Furlanetto. AND Vienna Philharmonic Orchestra under any conductor. But conductors still there and can pick up without such luxury names, what we have now (like Currentzis), but the same people and professional musicians whose gestures are clear. That being the case, and rezhoperu can wait. And then for some Fikhtengol'ts only cesspool not collected on the cast of "Don Giovanni". And our demiurges fables from the media love to confess about the stars of world opera.

But back to the transfer - Barkhin liked. Which quite simply, otmochite, soothing waxing debaters :-) It turns out, the acoustics can be improved gradually and eventually become good in our new old Bolshoi Theatre. I always thought that the speakers are either / or it is not. In the old theater was. And now, apparently, it will improve every evening with mixer.
In the finale, when Sorokin demanded reconciliation, Pospelov urged everyone to be patient. Back to no return. All of this opera shit, going on a low stage now, will now go to great and, of course, with stars of world opera. To his credit, he said honestly - will have to tolerate it for long. P h, when I got the demiurge, the imperial style of nepodvlasten, and power in their hands. THEOREM still ebemsya to mice, but on the big stage. What Tsiskaridze tired said - sorry, that our life is spent in a while ...

's time to arrange Andrei Malakhov carnage on BT, he, too, was no stranger to the art, went after at large, as well as Dimon and me. :-) But Tsiskaridze invite required, will not yet shmondarevyh Bahr listen.

Below cite an article on "Don Giovanni". About this performance can not be said - there were diverging views. It seems that's the beauty of the new opera productions at the Bolshoi that opinion just came together.

November 7, 2010 20:27

Animation without resuscitation After elegant executions of Berg and his "Wozzeck" The Bolshoi Theatre has decided to continue the artistic war with the Austrians. This time the choice fell on the great Mozart. Read More ...