Saturday, January 29, 2011

Digital Plyground Movies Online

Reflections / Reflections Bolshoi 1.29 2011




Если день был задуман хорошо, то надо приложить максимум усилий, чтобы он состоялся. Накануне поздно ночью разведка донесла, что Николай Цискаридзе танцует неафишную утреннюю целевую розовую "Шопениану" и в этой as "Les Sylphides" was even announced Angelina Vorontsov. I had her go, but ... unfortunately changed Vorontsova - not because they fell out of love, but because they overslept. :-( And in the end nothing else left as a punishment to go in the evening at another world premiere of "Reflections". Frankly, I went to work as - Damn LJ introduced me to some obyazalovke go to these premieres at the theater. Because before, when I did not have facebook, I'll make any premiere did not go: never was on the "Magic Flute" and "Madama Butterfly", but did not manage to watch "Le Corsaire, stopped going to school issues. T e was a free and independent person. And now as I broke through and here is the result - barely came up with a headache and a temperature of 35.5. No, we must pull together and become once again a free man. :-)

Korotenechko that saw one truth and only truth. The hall was polnehonek. The first part was presented ballet Nacho Duato, and stupidly named, as the project itself, - "Remansos" / "Remansos. What it is, I do not know. Actually shocked registration performed by the author Running time: lay on the floor badly strained, full of hills, zaplevany black linoleum on the sides of the black curtain, behind a black backdrop, a backdrop in the center white square. Everything. Men and women were dressed in identical suits, if you can so elegantly put it, and if you can call it T-shirt with shorts. Until I went into the lobby to read the program from, to find out who Who , women somewhere evaporated. Left three men. And as I understand, the entire ballet is based on absolutely wonderful idea - if the three men, they together well, and no women they do not need. The case evolved around some fake roses, which they constantly passed each other. And m to view the contemporary ballet requires a cerebral diligence and perturbation of thoughts in my head, I tried to stir them and this is what the thought of - a rose in this case symbolizes the glass, n h, then three men, and that three of them do except how to drink ...:-) And even if we remember who made this "Bolshoi Ballet" (pravilno!), then other interpretations simply can not be. :-) But director would like to chide, n h bravery in Duato still not enough - a glass, sandwiched between caviar and thigh, would look far better than the rose, and the transfer of cup against a white square would be more accurate and correct. Practically, I think, in this sense, the ballet is not completed. But everything else - yes - fine. And, incidentally, like any other modern choreography creates a variety of different thoughts in the minds of the audience, for example, ladies who stood in line at the toilet seemed to that these homosexual men and the Rose is supposedly some kind of character in their gomosyachey life. They are so vividly discussed that I was almost fell in the queue for them to listen to what there they have it all ended in the interpretation of the ladies. :-)

Before the second part of the concert, I was still vigorous and full of energy, although I understand that divertissement of modern dance is about the same as the 2 nd round of the International Ballet Competition in Moscow. And it's always, say, the Lord's punishment. And so it happened.

Polina Simeonova in silk pajamas with no claims danced the room with the pretentious name "Strauss meets Verdi." Looks like they met at nightfall and were also not very sober. Once again, convinced that the ballet can not interpret the operatic music. It becomes beautiful from the senseless antics on an empty stage

Following for pajamas appeared Noodles pasta , - Prima, God forgive me, San Francisco Ballet Maria Kochetkova, dressed in polupachku, almost pink. She otkamarila number called "One overture." Constantly went backstage and everything started to enjoy it was all over, but she came out again. :-) Trick of all - in fact it was written an overture, and Kochetkova them about five performed, Canon, ponimash in unison :-)

's turn "Serenade", about which I knew everything. I knew it was going to be tough and I knew that it would vigorously, and I knew it would be sooo pretty. So it was. Number of mad woman, which is in constant conflict with his guy. This is certainly a very vital and very truthful. Here our examples Natalia Osipova and play did not need anything. She lived for this role along with a forum baletfrends devout and rebellious, and for some reason Pts did not want to go 2 nd bow, while Hall was raging. Can showdown with partners to continue behind the scenes ...

completely about the same, but with another even more funny name "Fractus" acted Honored Artist of North Ossetia-Alania Catherine Krysanova. The only thing different numbers - in Fraktuse constantly putting out light. In fact, properly done, n h by this time was sick to look at another poloreshnuyu, which under the boom-boom music come on to your partner Denis Savin, massacred his claws and sculpts-create-malyuet

Dear comrades, I can not write the names of rooms - they excite me. :-) Do not look - I can not write I can not. For example, Anastasia Stashkevich the song "From the Book of Harmony" ... Well, not raskudrit your left ... I snorted so harmoniously on this issue, and naturally nothing about dancing Stashkevich can not tell. :-)

Next by name is easier - "Daisy" in English Catherine Shipulina. And EBNM only in the locker room to learn that solo the piano Laban State Prize winner Denis Matsuev. Guess that it waited so long and therefore did not include the light, and when included, the number did not start too long and Shipulina and stood in a pose at the ready (although it may be because the author intended :-)) in a silk nightie. She stood, and I do not know who is behind the piano, sat down again to rest (for this time I have a headache finally) and I saw nothing at all. :-)

Well, the last. Suddenly everything is remembered that concert type of ballet and breakpoints, only a banal name-Pas de trois in the choreography - I'm here, I'm sorry, I will quote Comrade. Shmondareva - timeless © and with the support of the Renova. Women in bundles - Noodles pasta and some Malinowska, do not even know what to say about it, but I think it profneprigodnaya ; a man puffing Ivan Vasiliev. And with that something must be done urgently. Dances, he dances , but the fact that he grew back and thighs, no black tights no longer saves. To dance to carp not, n h was done perfectly. But you can not watch, n h nature-bitch out what has done ...

And forgive me for Christ's sake those who read my LJ, on the leather pack, sitting on chairs, the forces left. Well, I could not. Moreover, long enough was in doubt - well, just come, it is necessary ... None. Dressed and to freedom. And giving of honor - More on all this crap with a standing ovation and 12-thousand poseteley in the American countryside or leg. And if anyone finished watching until the end, on its part to express sincere admiration. There are people in Russia who are ready for the idea of sitting at the Bolshoi Theatre on the project "Reflections".

Monday, January 24, 2011

Difference Between Tendinitis And Carpel Tunnel

BSO Concert them. Tchaikovsky Conductor - Vl.Fedoseev, soloist - Krassimira Stoyanova MIHM 24.01.2011

How well do sometimes take a break from ballet, moreover Walker such as I, and with such a full of choreography January. One is bad, well, halfway into Domodedovo Moscow International House thundered in ... Worst of all, to such things already beginning to get used to ... (((If this is our C'EST LA VIE, then I will not discuss the event, an eyewitness who was not, and tell you about the concert, which was.

Krassimira Stoyanova I waited Msc in a long time (well, and several other people were waiting for :-)). All other music lovers are turned to nothing - in the hall were not many people. A pity. P h show different faces uncommon look of , at least performed works.
In the 1-m branch of Tchaikovsky's Symphony Orchestra directed by Vladimir Fedoseev performed 4 pieces separately (I, IV, V, VII) Suites for Chamber Orchestra "Classic and Romantic" (Classical and Romantic), Bulgarian composer Pancho Haralanova Vladigerov. The audience, consisting mostly from grandparents, trying to thank the musicians after each of the sparse applause sluggish, but at the end of the room briskly and long ovatsiroval Orchestra and conductor. And it was for nothing.

concert continued Krassimira Stoyanova. There was a whole from a well-dressed, with a red tippets over his shoulder, with provisions for all, respecting a diva, with diamonds and with a voice, an analog which is not so easy to find. I must say that despite the interesting program - Dvorak, Tchaikovsky - It was written quite sparingly and briefly, in principle, and it is good - n hour long program is to make our audience may not :-). Since 9 o'clock start wobbling the hall and some scuffling, and after each subsequent works outgoing begin to raise the entire series, and his whole appearance Hall makes clear the artist - no more, rounded. So, in our case it was not, probably because the concert even with bisom that hollowed out long enough time has ended twenty to nine - EM until the X was still some time. :-)
In the first part of the evening Stoyanova limited by 2 pieces: one of them known to everyone Pts and beautiful aria Mermaid Měsíčku na nebi hlubokém , the second little-known, but also a beautiful aria from the opera Desislava Parashkeva Hadjiev "Maria Desislava". I am very Like the song of Krasimir Stoyanov. I find her voice close to the perfect lyric soprano. On the opera stage, a graduate of Moscow Conservatory violin made its debut 15 years ago and I must say her career was quite successful and authentic her magnificent voice: she Kammersängerin, and sings in all the best opera houses, and doing it without any melteshni and excessive noise, but every self-respecting fan knows the name of the opera and evaluates vocals Stoyanova appreciated.

In the 2-m branch orchestra brilliantly played fantasy-overture "Romeo and Juliet" by Tchaikovsky. All the recent concerts, where I was and when singers are accompanied by no means the best orchestras, makes me feel depressed in this situation accompaniment for Stoyanova was in full compliance her unique voice. Well, just for the music is all well and nothing to complain about. In Msk is rarely heard and, again, my regret at the lack of interest capital of our motherland to such a very high quality concerts.
culmination of the evening - Tatiana's Letter and its fulfillment was outstanding. For the first time for many years, this cult fragment ( and actually have the procedure and the teeth on podnadoevshy nauseam in English. our singers :-) ) seemed so short - Did not have time to look back as it was over. Why I thought this performance by today's absolutely incredible. P h on today practically impossible to find a singer who can sing clean, uncomplicated girl's voice. After Tatiana sing all those who either lazy thick, oily and recessed votes. Now the fashion on a solid sound to music with the eggs "and" Eugene Onegin "has been exposed to this ranking ( allegedly Tatyana such virgins, her only for sex and no longer to what ), almost soprano dramas strive otvulgalizirovat this music, and even drive it became fashionable to give away (about a pure physical passion with crawling on tables, etc. I say nothing) So Stoyanova - not Russian singer - has shown how it is sung and the sound and the meaning and beauty. She sang the soul of a young girl, and not about her body that does not know where to accommodate the night looking. That is surely a sad silent silent , but is full of such inner beauty and charm of a psychic and tenderness that just wanted to just listen to Onegin, but only AMP-hundred, let Krasimir Stoyanov. And no Mitya Chernyakov not need to explain what happened to her. Ourselves to deal when he heard this bewitching voice, the voice, which obyasnyalki paunchy and bald do not need - he will tell all.













For those interested in good voice and in particular Krasimir Stoyanov - she is going to come in November, along with the chorus and orchestra Milan Rocks. THEOREM these tours in honor of the Bolshoi Theater has become more exciting and real.